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William S. Burroughs as Baron Samedi

4/5/2016

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This is a painting that have been on the back burner for some time now…
It was meant to be cleaner when it got started but having started painting in a new direction this painting got dragged into it and as such it is somewhere inbetween.
So it is William S. Burroughs  in the guise of Baron Samedi of Vodou fame.
The head honcho of the dead forgotten.
​There is a lot to say of both Burroughs and Baron samedi to get into here as I am too lazy to spend two days writing about it!

But for sure some will get the connections and if not just investigate and be fascinated for aeons to come!
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Figurative abstractions and cut up techniques as paintings

10/6/2015

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It seems that my painting is taking a new turn and feel very excited about it. It have been brewing for some time but is now taking shape and will dominate my output even if there will be deviations. It can also be a direct response to have been working on digital painitng the last months producing prints to sell. They are definitively the opposite of these paintings... (They are also for sale look under prints...)
It bridges my interest in doing abstract painting but never been able to let go of the figurative. Also very freeing to not have any directives except to have the painting work and just throw anything into it.
The interesting thing is that it works as doing cut-ups in writing.
If you have tried to do cut ups and use certain sources it will make sense and relate to the material that gets chosen.
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Have written lyrics for music doing cut ups and for example used romance novels and it gave me a poetic love story in twelve lines. Used The corner (the book the Wire was based on) and it was distilled into condensed gangster drama that worked etc. Most interesting results I got, guess was using pornographic stories juxtaposed with technical manuals.
In either case it seems that the same principle occurs in these paintings. They do get the same feeling depending on what source material there is laying around and how it interacts with the main attention grabbers of the paintings.
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The first one was made around a copy of a drawing my daughter made when she was four and it is called Sophia dreaming.
The second one based around the sigil of a entity used in magick called Emluzias. The main focus goal of that entity is to help you with art, potential and prosperity. So the painting is made as an invocation of Emluzias.

The third one has no basis in anything and just started with the skulls (a lot of skulls painted since starting to think about the Ghede and Baron Samedi of Vodou fame) added a bear and then another drawing that my daughter made. It really came out easy and is less complicated than the other two but there is not really anything else to add.
I guess by default the painting has to go by the name of Catmaker as I heard the word listening to a documentary about Hieronymus Bosch while painting. Is it possible that there was a mis-hearing?
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